Community Processing Day 2019

Please consider attending Community Processing Day, a series of digital arts workshops, panels, artist lectures, and lightning talks that are taking place at both Pitt and CMU on January 25-26. You may already be familiar with Processing, a programming language/software that was developed by artists who are devoted to making coding accessible. While working with my fellow organizers Lindsey French, Golan Levin, and Tom Hughes, I’ve learned how committed the Processing community is to making these events inclusive, with lots of opportunities for beginners.
 
As a part of this 2-day event, I am planning a curiosity discussion, “Curiosity + Unfamiliar Spaces” on Friday January 25, 6-8pm, at the STUDIO for Creative Inquiry at CMU. We will explore how people create with and contend with seemingly inaccessible languages, vocabularies, scripts, social spaces, and wild spaces. As always, we welcome audience questions throughout the discussion. Please Register here, under the CMU heading. Learn more about the previous curiosity discussions here.
 
Our panelists for Curiosity + Unfamiliar Spaces will be:
 
Nina Barbuto is the founder and director of Assemble, a community space offering daily educational STEAM programs to youth throughout Pittsburgh, and a platform for experiential learning, open creative processes, and building confidence through making. On her own, Nina works in a variety of media and often explores the idea of recycling noise into a system or elevating the vernacular to the spectacular.
 
Marijke Hecht is currently a PhD student in the University of Pittsburgh’s Learning Science and Policy program. Her research looks at how the urban environment can best be used as a platform for civic engagement through science, art, and other disciplines. Before graduate school, Marijke led community based environmental education and stewardship programs in Pittsburgh’s parks.
 
Darrell S. Kinsel is a creative entrepreneur, cultural agitator, and community organizer. D.S. is the co-founder of BOOM Concepts, a creative hub dedicated to the advancement of black and brown artists representing marginalized communities. BOOM Concepts focuses on youth, community artists, and neighborhood partners to identify contemporary expressions of social justice through drama, dance, music, visual art, and technology.
 
Kyle McDonald is an artist working with code. He is a contributor to open source arts-engineering toolkits like openFrameworks, and builds tools that allow artists to use new algorithms in creative ways. He creatively subverts networked communication and computation, explores glitch and systemic bias, and extends these concepts to reversal of everything from identity to relationships.
Kate Joranson
Head, Henry Clay Frick Fine Arts Library
University Library Sysytem
University of Pittsburgh